The entrance is at the southeastern end of the south transept, and it
is used, on ordinary occasions, as the only free mode of access to this
building. It is no spacious arch, but a small, lowly door, passing
through which, and pushing aside an inner screen that partly keeps out
an exceedingly chill wind, you find yourself in a dim nook of the Abbey,
with the busts of poets gazing at you from the otherwise bare stonework
of the walls. Great poets, too; for Ben Jonson is right behind the door,
and Spenser's tablet is next, and Butler's on the same side of the
transept, and Milton's (whose bust you know at once by its resemblance
to one of his portraits, though older, more wrinkled, and sadder than
that) is close by, and a profile-medallion of Gray beneath it. A
window high aloft sheds down a dusky daylight on these and many other
sculptured marbles, now as yellow as old parchment, that cover the three
walls of the nook up to an elevation of about twenty feet above the
pavement. It seemed to me that I had always been familiar with the spot.
Enjoying a humble intimacy--and how much of my life had else been a
dreary solitude!--with many of its inhabitants, I could not feel myself
a stranger there. It was delightful to be among them. There was a genial
awe, mingled with a sense of kind and friendly presences about me; and
I was glad, moreover, at finding so many of them there together in fit
companionship, mutually recognized and duly honored, all reconciled
now, whatever distant generations, whatever personal hostility or other
miserable impediment, had divided them far asunder while they lived.
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