This wood is kept in
a dry-house with as much care as that intended for the manufacture of
pianos. It is thoroughly steamed also, before using.
The wood comes in rudely shaped blocks, as lasts are sent to the
factory, seeming to have been coarsely hewed out of the log. The
shaping, as we found to our surprise, is all done by hand. We had
expected to see great lathes, worked by steam-power, taking in a rough
stick and turning out a finished limb. But it is shaped very much as a
sculptor finishes his marble, with an eye to artistic effect,--not so
much in the view of the stranger, who does not look upon its naked
loveliness, as in that of the wearer, who is seduced by its harmonious
outlines into its purchase, and solaced with the consciousness that he
carries so much beauty and symmetry about with him. The hollowing-out of
the interior is done by wicked-looking blades and scoops at the end of
long stems, suggesting the thought of dentists' instruments as they
might have been in the days of the giants. The joints are most carefully
made, more particularly at the knee, where a strong bolt of steel passes
through the solid wood. Windows, oblong openings, are left in the sides
of the limb, to insure a good supply of air to the extremity of the
mutilated limb. Many persons are not aware that all parts of the surface
_breathe_ just as the lungs breathe, exhaling carbonic acid as well as
water, and taking in more or less oxygen.
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