WHAT'S HOT
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Walter, Eugene, 1874-1941

"Representative Plays by American Dramatists: 1856-1911"

That's what hurt. [_Turning to_
WILL _and approaching until he can look him in the eyes._] I expected
you to lie, you're that kind of a man. You left me with a shake of the
hand, and you gave me your word, and you didn't keep it. Why should
you keep it? Why should anything make any difference with you? Why,
you pup, you've no right to live in the same world with decent folks.
Now you make yourself scarce, or take it from me, I'll just kill you,
that's all.
WILL. I'll leave, Madison, but I'm not going to let you think that I
didn't do the right thing with you. She came to me voluntarily. She
said she wanted to come back. I told you that, when I was in Colorado,
and you didn't believe me, and I told you that when she did this sort
of thing I'd let you know. I dictated a letter to her to send to you,
and I left it sealed and stamped in her hands to mail. She didn't do
it. If there's been a lie, she told it. I didn't.
JOHN _turns to her. She hangs her head and averts her eyes in a mute
acknowledgment of guilt. The revelation hits_ JOHN _so hard that
he sinks on the trunk centre, his head fallen to his breast. He is
utterly limp and whipped. There is a moment's silence._
WILL. [_Crosses to_ JOHN.] You see! Why, my boy, whatever you think
of me or the life I lead, I wouldn't have had this come to you for
anything in the world. [JOHN _makes an impatient gesture._] No, I
wouldn't. My women don't mean a whole lot to me because I don't take
them seriously.


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