_At the back of the stage is a large window or alcove. The window
is on the ordinary plan, and the view through it shows the back of
another building of New York, presumably a hotel of about the same
character. Green portieres are also hung on the windows. Down left
is the entrance to the corridor of the hotel, and this must be
so arranged that it works with a latch-key and opens upon a small
hallway, which separates the apartment from the main hallway. This is
necessary as the action calls for the slamming of a door, and later
the opening of the direct and intimate door of the apartment with
a latch-key. Left of centre is a sofa, and there is a general
arrangement of chairs without over-crowding the apartment. Just below,
where the right portiere is hung, is a long, full-length mirror, such
as women dress by. Against wall is a lady's fancy dresser._
_To the immediate left of the sliding-doors, which go into the
sleeping-apartment, is a lady's small writing-desk, with a drawer on
the right-hand side, in which is a pearl-handled 32-calibre revolver.
The front of the desk is open at rise. On top of the desk is a desk
lamp and a large box of candy; inside the desk is writing material,
&c. In pigeon-hole left there is a small photo and frame, which_ ANNIE
_places on the table when she removes the breakfast set. In front of
centre window in alcove is a small table on which is a parlour lamp,
and some newspapers, including the "New York Sun.
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