Then for the three years
before her mother's death there had been surreptitious lessons from a
Portland teacher, paid for out of Mr. Lord's house allowance; for one of
his chief faults was an incredible parsimony, amounting almost to
miserliness.
"Something terrible will happen to Olive if she isn't taught to use her
talent," Mrs. Lord pleaded to her husband. "She is wild to know how to
do things. She makes effort after effort, trembling with eagerness, and
when she fails to reproduce what she sees, she works herself into a
frenzy of grief and disappointment."
"You'd better give her lessons in self-control," Mr. Lord answered.
"They are cheaper than instruction in drawing, and much more practical."
So Olive lived and struggled and grew; and luckily her talent was such a
passion that no circumstances could crush or extinguish it. She worked,
discovering laws and making rules for herself, since she had no helpers.
When she could not make a rabbit or a bird look "real" on paper, she
searched in her father's books for pictures of its bones. "If I could
only know what it is like _inside_, Cyril," she said, "perhaps its
_outside_ wouldn't look so flat! O! Cyril, there must be some better way
of doing; I just draw the outline of an animal and then I put hairs or
feathers on it. They have no bodies. They couldn't run nor move; they're
just pasteboard."
"Why don't you do flowers and houses, Olive?" inquired Cyril
solicitously.
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