For a
time he held the position of "Geographical Engraver" to the
Departments of Marine, Fortifications and Forests. He was a
member of the French Geographical and Mathematical
Societies.]--_Nagler_.
SAINT DOMINIC, . . . . . . . . . . . . . 230
From a photograph of Bozzani's painting, preserved in his cell at
Santa Sabina, Rome. Here reproduced from Augusta T. Drane's
"History of St. Dominic," by courtesy of the author and the publishers,
Longmans, Green & Co., of London and New York.
["Although several so-called portraits (of St. Dominic) are
preserved, yet none of them can be regarded as the _vera
effigies_ of the saint, though that preserved at Santa Sabina
probably presents us with a kind of traditionary
likeness."]--_History of St. Dominic_.
[In the "History of St. Dominic," on page 226, the author
credits the portrait shown to "Bozzani." We are unable to
find any record of a painter by that name. Nagler, however,
tells of a painter of portraits and historical subjects,
Carlo Bozzoni by name, who was born in 1607 and died in 1657.
He was a son of Luciano Bozzoni, a Genoese painter and
engraver. He is said to have done good work, but no other
mention is made of him.]
IGNATIUS DE LOYOLA, . . . . . . . . . . . 261
After the engraving by Greatbach, "from a scarce print by H.
Wierz." Originally published by Richard Bentley, London, in 1842.
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