Her skin as soft as Lemster wool,
As white as snow on Peakish Hull,
Or swan that swims in Trent.
"This maiden in a morn betime
Went forth when May was in the prime
To get sweet setywall,
The honey-suckle, the harlock,
The lily, and the lady-smock,
To deck her summer hall."
How late such a simple and pretty picture could have been drawn to life
is uncertain, but by the middle of the seventeenth century the luxury of
the town had penetrated the country, even into Scotland. The dress of a
rich farmer's wife is thus described by Dunbar. She had "a robe of fine
scarlet, with a white hood, a gay purse and gingling keys pendant at her
side from a silken belt of silver tissue; on each finger she wore two
rings, and round her waist was bound a sash of grass-green silk, richly
embroidered with silver."
Shakespeare was the mirror of his time in things small as well as great.
How far he drew his characters from personal acquaintances has often been
discussed. The clowns, tinkers, shepherds, tapsters, and such folk, he
probably knew by name. In the Duke of Manchester's "Court and Society
from Elizabeth to Anne" is a curious suggestion about Hamlet. Reading
some letters from Robert, Earl of Essex, to Lady Rich, his sister, the
handsome, fascinating, and disreputable Penelope Devereaux, he notes, in
their humorous melancholy and discontent with mankind, something in tone
and even language which suggests the weak and fantastic side of Hamlet's
mind, and asks if the poet may not have conceived his character of Hamlet
from Essex, and of Horatio from Southampton, his friend and patron.
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