His natural
propensity to wit and humour, and happy manner of relating common
occurrences in an uncommon way, enabled him to throw persons and things
into very ridiculous attitudes. Handel's general look was somewhat heavy
and sour, but when he did smile, it was his sire the sun, bursting out of
a black cloud. There was a sudden flash of intelligence, wit, and good
humour, beaming in his countenance, which I hardly ever saw in any other."
Both Burney and Hawkins record that outside his profession he was said to
be ignorant and dull, and the fact that they are at pains to defend him on
this charge shows that there was apparent ground for it. Pepusch said of
him that he was "a good practical musician," which is what one might well
expect of Pepusch, whose devotion to antiquarian learning aroused the
amusement rather than the admiration of his contemporaries. Handel was at
any rate keenly interested in painting, like Corelli, and the third codicil
to his will, dated August 4, 1757, mentions two landscapes by Rembrandt,
one a view of the Rhine, which he bequeathed to one of the Granvilles from
whom he had received both as a gift.
Another characteristic of Handel's for which his early biographers are
hard put to find an excuse was his enormous appetite for food and drink,
satirised by his once intimate friend the painter Goupy in a well-known
print called "The Charming Brute," in which Handel is represented with the
head of a pig, seated at an organ, with various comestibles disposed at his
feet.
Pages:
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148