In any case, it was evident that Italian opera was a precarious enterprise.
In October the papers again gave out that Handel was going to give
oratorios and concerts at Covent Garden; no operas were announced, and for
the time being Handel appeared to have abandoned opera altogether. He made
no move until Lent 1736, and then brought out _Alexander's Feast_ (February
19), which he had set to music in the previous two months. Those ever
popular favourites _Esther_ and _Acis and Galatea_ followed it, and, as in
the foregoing season, Handel played organ concertos between the acts of
these works. It is evident that as Handel could not secure the great
Italian singers for his oratorios he felt obliged to offer his public some
other display of virtuosity, and his own performance on the organ seems to
have been considered a very powerful attraction.
The marriage of the Prince of Wales to Princess Augusta of Saxe-Gotha
(April 27, 1736) provided him with unexpected opportunities for coming
before the public. It seems to have been at the desire of the Princess
herself that he undertook a short Italian opera season of eight
performances, which eventually was extended to ten. _Atalanta_, Handel's
new opera for this season, in which the chief singer was Gizziello,
then making his first appearance in England, was composed especially to
celebrate the royal nuptials, and seems to have finally converted the
Prince of Wales to the music of Handel.
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