She came to
England on July 2 for a long stay, and at once persuaded Handel to give
three additional performances of _Il Pastor Fido_, which he had revived
that season. _Pastor Fido_ and _Ariadne_ were given again for her in
October; probably Covent Garden was not quite ready for performances.
Princess Anne left England on October 21, and her last words at parting
were to beg Lord Hervey to do all he could to help Handel.
The chief attraction to the public at Covent Garden was probably not Handel
but Mlle Salle, a French dancer who had been engaged by Rich. The first
performance at the new theatre was a ballet, _Terpsichore_, in order that
she might inaugurate the season. _Terpsichore_, which includes songs and a
chorus, served as prologue to _Il Pastor Fido_. The next opera was _Oreste,
a pasticcio_ made up by Handel himself from his own works; on January 8,
1735, he produced his Ariodante, an opera over which he had spent the
unusually long time of ten weeks. The score was begun on August 12 and
finished on October 24. The story is taken from Ariosto, and, as with
Orlando, Handel found that it afforded opportunities for his peculiar vein
of romanticism. On April 16 he followed it up with Alcina, again on a
subject from Ariosto, and one of even more romantic character.
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