The first thing to do was to secure new singers, and
for this purpose Handel went to Italy, probably in the autumn of 1728.
Heidegger had already tried to bring back Senesino and the two "costly
canary-birds," as Colley Cibber called them, but they had had enough of
London, and probably of Handel too. Little is known of the details of this
Italian journey; it has been said that Handel travelled with Steffani,
but this is impossible, as Steffani died at Frankfurt early in the year.
Mainwaring tells us that, at Rome, Cardinal Colonna invited him to his
palace, but that Handel, hearing that the Pretender was staying there,
prudently declined the invitation. In engaging singers he seems to have
been perhaps more prudent than was desirable, for his new company did not
contain any very distinguished names. In place of Senesino he obtained the
_castrato_ Bernacchi; his new first woman was Signora Strada del Po', who
was a fine singer, but so unattractive in appearance that London nicknamed
her "The Pig." It is interesting to note that he also engaged a tenor,
Annibale Fabri, although in those; days tenors were considered only fit for
old men's parts of minor importance, and at Naples were generally given the
parts of comic old women.
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