In the first place, he had done very well out of it from a
financial point of view; the noble directors might have lost their
money, but he had been only their paid servant, in which capacity he had
accumulated enough to invest no less than L10,000 of his own in the next
operatic venture. He obviously realised the strength of the position which
he had built up for himself both as a composer and as a man of business.
The most important result of the Academy's career had been to provide
Handel with the opportunity of consolidating his own style as a composer
of musical drama. Like all the court composers of his age he had provided
whatever his patrons required--chamber music, water music, minuets for
court balls, Church music for royal ceremonial; but the music on which his
own heart was set was that of the theatre.
CHAPTER V
Handel naturalized--partnership with Heidegger--_Esther_--the Opera of
the Nobility--visit to Oxford--opera season at Covent Garden--Charles
Jennens--collapse of both opera-houses.
Handel had by this time definitely decided to make England his home; on
February 13, 1726, he had been naturalised as an English subject. He had
every reason to regard England as the best place in which to live.
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