She sang mostly at Venice for several years, and in 1718
she appeared there in Pollaroli's _Ariodante_, along with Cuzzoni herself.
She sang at Munich in 1723, and in the summer of 1725 she went to Vienna,
where she stayed six months, enjoying an extraordinary success. Nearly
forty years afterwards the Empress Maria Theresa recalled with pride how
she herself, at the age of seven, had sung in an opera with Faustina. At
the end of March 1726 she left Vienna for London, where she made her first
appearance, on May 5, in Handel's new opera _Alessandro_, which had been
designed especially to show off both Faustina and Cuzzoni in parts of
exactly equal importance and difficulty. The immediate result was to divide
London society into two parties: young Lady Burlington and her friends
supported Faustina; Cuzzoni's admirers were led by Lady Pembroke. Lady
Walpole succeeded in getting both to sing at her house; neither would sing
in the presence of the other, but the hostess tactfully managed to draw
first one and then the other out of the music-room while her rival
enchanted the guests. Mrs. Pendarves also contrived to be on good terms
with both. She heard Cuzzoni in November privately, or perhaps at a
rehearsal, and writes, "my senses were ravished with harmony.
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