The directors engaged Nicolo Haym and Paolo Rolli as
poets to provide libretti; for the music they naturally secured Handel, but
also invited Buononcini over from Rome, and Attilio Ariosti from Berlin.
Handel was sent at once to Dresden to select singers; on February 21 he is
stated to have left London for that purpose, but it is possible that he may
actually have started later, for in his letter to his brother-in-law, dated
February 20, he says, "I beg you will not judge of my desire to see you by
the delay of my departure, for to my great regret I find myself detained
here by important business on which I may say my fortune depends, and it
has dragged on longer than I expected.... I hope I shall be at the end of
it in a month from now."
Handel's exact itinerary is difficult to establish. We know that he went to
Duesseldorf, where he engaged the singer Baldassari, but whether this was on
the outward journey or later in the year is uncertain. From the letter to
Michaelsen we should imagine that he went to Halle as soon as possible;
the only authentic document which gives us any date is a letter from Count
Flemming, a court functionary at Dresden, to Melusine von Schulenburg,
daughter of George I's mistress the Duchess of Kendal, who in 1733 married
Lord Chesterfield.
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