More important as a landmark in Handel's development
is the masque of _Esther_, originally called _Haman and Mordecai_. About
the early history of these works little is known; both were intended to be
acted on the stage, and they were very probably performed in this way at
Canons. The words of _Esther_ were adapted from Racine's play of the same
name, and it has been suggested that Pope was the author.
Handel's residence at Canons gave rise to two legends about him which
are still so often repeated that their absurdity must be mentioned here,
although they have been known for many years to be baseless. One is
perpetuated by an inscription on the organ in the church at Whitchurch,
to the effect that Handel composed the oratorio of _Esther_ on this
instrument. Handel was never organist at Whitchurch; the church existed in
his day, but it was an entirely separate building from the private chapel
of the Duke of Chandos which was pulled down with the house. The organ of
that chapel is now at Gosport. It need hardly be said that in any case it
was not Handel's practice to compose his works on an organ. The other, and
even more popular, legend is that of "The Harmonious Blacksmith." It was
during the Canons period that Handel published his _Suites de Pieces pour
le Clavecin_ (1720) which had probably been composed for the daughters
of the Princess of Wales, and one of these suites contains the air and
variations known by that familiar title.
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