According to Hawkins, he stayed at
Burlington House for three years, meeting Pope, Gay, and Dr. Arbuthnot, as
well as many other "men of the first eminence for genius." But Gay does not
seem to have met Lord Burlington until 1715, and Pope mentions him first
in 1718. It is thought that Handel's little opera, _Silla_, may have been
written for a private performance at Burlington House in 1714, and the
dedication of _Amadigi_, Handel's next opera (1715), indicates that the
music was composed within his patron's own walls.
One of Handel's favourite haunts in London was St. Paul's Cathedral, where
Brind the organist often persuaded him to play the organ after evening
service, to the great delight of the congregation. He appears to have
made Brind's acquaintance first through young Maurice Greene, then aged
seventeen, who had been a chorister of St. Paul's, and, after his voice
broke in 1710, was articled to Brind as a pupil. After service was over,
Handel, Greene, and some of the members of the choir would repair to
the Queen's Arms Tavern close by for an evening of music and musical
conversation.
This friendly association with St. Paul's was no doubt of great value to
Handel in his next musical undertakings--the _Birthday Ode_ for Queen
Anne, and the _Te Deum_ which celebrated the Peace of Utrecht in 1713.
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