On Susan's right sat a too conspicuously
dressed but somehow important looking actress; on her left, a
shopkeeper's fat wife. Opposite each woman sat the sort of man
one would expect to find with her. The face of the actress's
man interested her. It was a long pale face, the mouth weary,
in the eyes a strange hot fire of intense enthusiasm. He was
young--and old--and neither. Evidently he had lived every
minute of every year of his perhaps forty years. He was
wearing a quiet suit of blue and his necktie was of a darker
shade of the same color. His clothes were draped upon his good
figure with a certain fascinating distinction. He was smoking
an unusually long and thick cigarette. The slender strong
white hand he raised and lowered was the hand of an artist. He
might be a bad man, a very bad man--his face had an expression
of freedom, of experience, that made such an idea as
conventionality in connection with him ridiculous. But however
bad he might be, Susan felt sure it would be an artistic kind
of badness, without vulgarity. He might have reached the stage
at which morality ceases to be a conviction, a matter of
conscience, and becomes a matter of preference, of tastes--and
he surely had good taste in conduct no less than in dress and
manner. The woman with him evidently wished to convince him
that she loved him, to convince those about her that they were
lovers; the man evidently knew exactly what she had in
mind--for he was polite, attentive, indifferent, and--Susan
suspected--secretly amused.
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