She had
taken the papers from the pockets of Burlingham's clothes and
from the drawer of the table in his room, to put them all
together for safety; she had found these cards, the addresses
of theatrical agents. As she looked at them, she remembered
Burlingham's having said that Blynn--Maurice Blynn, at Vine and
Ninth Streets--might give them something at one of the "over the
Rhine" music halls, as a last resort. She noted the address, put
away the cards and walked on, looking about for a policeman.
Soon she came to a bridge over a muddy stream--a little river,
she thought at first, then remembered that it must be the
canal--the Rhine, as it was called, because the city's huge
German population lived beyond it, keeping up the customs and
even the language of the fatherland. She stood on the bridge,
watching the repulsive waters from which arose the stench of
sewage; watching canal boats dragged drearily by mules with
harness-worn hides; followed with her melancholy eyes the course
of the canal under bridge after bridge, through a lane of dirty,
noisy factories pouring out from lofty chimneys immense clouds
of black smoke. It ought to have been a bright summer day, but
the sun shone palely through the dense clouds; a sticky, sooty
moisture saturated the air, formed a skin of oily black ooze
over everything exposed to it. A policeman, a big German, with
stupid honest face, brutal yet kindly, came lounging along.
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