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Various

"Punch, or the London Charivari, Volume 1, July 17, 1841"

Who,
however ignorant, could look upon the latter as a compliment? or what fair
maiden, however simple, would require a master to teach her how to
construe a gentle compression of her fingers at parting, or a tender
pressure of her toe under the dinner table?
Such is an imperfect sketch of the five languages appertaining to man.
There is, however, one other--that which forms the subject of the present
article--Pantomime, and which may be considered as the natural form of the
visible language--literature being taken as the artificial. This is the
most primitive as well as most comprehensive, of all. It is the earliest,
as it is the most intuitive--the smiles and frowns of the mother being the
first signs understood by the infant. Indeed, if we consider for a moment
that all existence is but a Pantomime, of which Time is the harlequin,
changing to-day into yesterday, summer into winter, youth into old age,
and life into death, and we but the clowns who bear the kicks and buffets
of the scene, we cannot fail to desire the general cultivation of an art
which constitutes the very essence of existence itself.


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