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Various

"Punch, or the London Charivari, Volume 1, July 17, 1841"

A word to the
landscape and other perpetrators: none of your little bits for PUNCH--none
of your insinuating cabinet gems--no Art-_ful_ Union system of doing
things--Hopkins to praise for one reason, Popkins to censure for
another--and as PUNCH has been poking his nose into numberless unseen
corners, and, notwithstanding its indisputable dimensions, has managed to
screen it from observation, he has thereby smelt out several pretty little
affairs, which shall in due time be exhibited and explained in front of
his proscenium, for special amusement. In the mean time, to prove that
PUNCH is tolerably well up in this line of pseudo-criticism, he has
prepared the following description of the private view of either the Royal
Academy or the Suffolk-street Gallery, or the British Institution, for
1842, for the lovers of this very light style of reading; and to make it
as truly applicable to the various specimens of art forming the collection
or collections alluded to, he has done it after the peculiar manner
practised by the talented conductor of a journal purporting to be
exclusively set apart to that effort.


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