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"Compiled From Her Letters and Journals by Her Son Charles Edward Stowe"


Its walls were set round from floor to ceiling with the friendly,
quiet faces of books, and there stood my father's great writing-chair,
on one arm of which lay open always his Cruden's Concordance and his
Bible. Here I loved to retreat and niche myself down in a quiet corner
with my favorite books around me. I had a kind of sheltered feeling as
I thus sat and watched my father writing, turning to his books, and
speaking from time to time to himself in a loud, earnest whisper. I
vaguely felt that he was about some holy and mysterious work quite
beyond my little comprehension, and I was careful never to disturb him
by question or remark.
"The books ranged around filled me too with a solemn awe. On the lower
shelves were enormous folios, on whose backs I spelled in black
letters, 'Lightfoot Opera,' a title whereat I wondered, considering
the bulk of the volumes. Above these, grouped along in friendly,
social rows, were books of all sorts, sizes, and bindings, the titles
of which I had read so often that I knew them by heart. There were
Bell's Sermons, Bonnett's Inquiries, Bogue's Essays, Toplady on
Predestination, Boston's Fourfold State, Law's Serious Call, and other
works of that kind. These I looked over wistfully, day after day,
without even a hope of getting something interesting out of them. The
thought that father could read and understand things like these filled
me with a vague awe, and I wondered if I would ever be old enough to
know what it was all about.


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