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Hallowell, Sarah C.

"On the Church Steps"

"
"Stop!" I said with one foot on the shafts. "You don't mean to say she
is shut up there?"
"Shet up? No: they be too smart for that. But there's plenty ways to
shet a young gal's eyes an' ears 'thout lockin' of her up. How'd she
know who was in this wagon, even if she seed it from her winders? To
be sure, I made myself conspicuous enough, a-whistlin' 'Tramp, tramp,'
and makin' the horses switch round a good deal. But, like enough, ef
she'd be down-spereted-like, she'd never go near the winder, but just
set there, a-stitchin' beads on velvet or a-plattin' them mats."
"Why should she work?" I asked, with my grasp still on the reins.
"Them all does," he answered, taking a fresh bite of the straw. "It's
the best cure for sorrow, they say. Or mebbe she's a-teachin' the
children. I see a powerful sight of children comin' along while you
was in there talkin', a-goin' to their school, and I tried to ask some
o' them about her. But the old sheep who was drivin' on 'em looked at
me like vinegar, and I thought I'd better shet up, or mebbe she'd give
the alarm that we was here with horses and wagon to carry her off."
I had a painful moment of indecision as Hiram paused in his narrative
and leisurely proceeded to evict a fly from the near horse's ear. "I
think we'll go on, Hiram," I said, jumping back to my seat again.


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