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Rohmer, Sax, 1883-1959

"The Devil Doctor"

A sort of reflection from this
distant blaze encrimsoned the whole landscape. The inland bay glowed
sullenly, as if internal fires and not reflected light were at work;
a scene both wild and majestic.
Nayland Smith was staring up at the cone-like top of the ancient tower
in a curious, speculative fashion. Under the influence of our host's
conversation I had forgotten the reasonless dread which had touched me
at the moment of our arrival, but now, with the red light blazing over
Sedgemoor, as if in memory of the blood which had been shed there, and
with the tower of unknown origin looming above me, I became very
uncomfortable again, nor did I envy Van Roon his eerie residence. The
proximity of a tower of any kind, at night, makes in some inexplicable
way for awe, and to-night there were other agents, too.
"What's that?" snapped Smith suddenly, grasping my arm.
He was peering southward, toward the distant hamlet, and, starting
violently at his words and the sudden grasp of his hand, I, too,
stared in that direction.
"We were followed, Petrie," he almost whispered. "I never got a sight
of our follower, but I'll swear we were followed. Look! there's
something moving over yonder!"
Together we stood staring into the dusk; then Smith burst abruptly
into one of his rare laughs, and clapped me upon the shoulder.
"It's Hagar, the mulatto!" he cried, "and our grips. That
extraordinary American with his tales of witch-lights and haunted
abbeys has been playing the devil with our nerves.


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