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Rohmer, Sax, 1883-1959

"The Devil Doctor"


I had some vague idea that the rasping voice of Fu-Manchu broke once
through the turmoil, and when, with my wrists tied behind me, I
emerged from the strife to find myself lying beside Smith in the
passage, I could only assume that the Chinaman had ordered his bloody
servants to take us alive; for saving numerous bruises and a few
superficial cuts, I was unwounded.
The place was utterly deserted again, and we two panting captives
found ourselves alone with Dr. Fu-Manchu. The scene was unforgettable:
that dimly-lighted passage, its extremities masked in shadows, and the
tall, yellow-robed figure of the Satanic Chinaman towering over us
where we lay.
He had recovered his habitual calm, and as I peered at him through the
gloom, I was impressed anew with the tremendous intellectual force of
the man. He had the brow of a genius, the features of a born ruler;
and even in that moment I could find time to search my memory, and to
discover that the face, saving the indescribable evil of its
expression, was identical with that of Seti I, the mighty Pharaoh who
lives in the Cairo Museum.
Down the passage came leaping and gambolling the Doctor's marmoset.
Uttering its shrill, whistling cry, it leapt on to his shoulder,
clutched with its tiny fingers at the scanty, neutral-coloured hair
upon his crown, and bent forward, peering grotesquely into that still,
dreadful face.
Dr. Fu-Manchu stroked the little creature and crooned to it, as a
mother to her infant.


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