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Rohmer, Sax, 1883-1959

"The Devil Doctor"


Save for the dismal sound of rain, and the trickling of water along
the gutters, all about me was silent. Sometimes this silence would be
broken by the distant, muffled note of a steam siren; and always,
forming a sort of background to the near stillness, was the remote din
of riverside activity.
I walked on to the corner just beyond the lamp. This was the street in
which the wooden buildings were situated. I had expected to detect
some evidences of surveillance, but if any were indeed being observed,
it was effectively masked. Not a living creature was visible, peer as
I would.
Plans I had none, and perceiving that the street was empty, and that
no lights showed in any of the windows, I passed on, only to find that
I had entered a cul-de-sac.
A rickety gate gave access to a descending flight of stone steps, the
bottom invisible in the denser shadows of an archway, beyond which, I
doubted not, lay the river.
Still uninspired by any definite design, I tried the gate and found
that it was unlocked. Like some wandering soul, as it has since seemed
to me, I descended. There was a lamp over the archway, but the glass
was broken, and the rain apparently had extinguished the light; as I
passed under it, I could hear the gas whistling from the burner.
Continuing my way, I found myself upon a narrow wharf with the Thames
flowing gloomily beneath me. A sort of fog hung over the river,
shutting me in.


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