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Bennett, Arnold, 1867-1931

"The Pretty Lady"

The group did not quail.
In fullest publicity it was licensed to say that which in private
could not be said where men and women meet, and that which could
not be printed. It gave a voice to the silent appeal of pictures and
posters and illustrated weeklies all over the town; it disturbed the
silence of the most secret groves in the vast, undiscovered hearts of
men and women young and old. The half-clad lovely were protected from
the satyrs in the audience by an impalpable screen made of light and
of ascending music in which strings, brass, and concussion
exemplified the naive sensuality of lyrical niggers. The guffaw which,
occasionally leaping sharply out of the dim, mysterious auditorium,
surged round the silhouetted conductor and drove like a cyclone
between the barriers of plush and gilt and fat cupids on to the
stage--this huge guffaw seemed to indicate what might have happened if
the magic protection of the impalpable screen had not been there.
Behind the audience came the restless Promenade, where was the reality
which the stage reflected. There it was, multitudinous, obtainable,
seizable, dumbly imploring to be carried off. The stage, very daring,
yet dared no more than hint at the existence of the bright and joyous
reality.


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