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Hawthorne, Julian, 1846-1934

"Bressant"

Much as she loved life,
she would, at that moment, have died rather than feel that she was
ridiculed and deserted by him.
They had come to the brow of the hill on which the village stood,
overlooking the valley, which moon and snow together lit up into a sort
of phantom daylight. The moon hung aloft, directly above their heads,
and the narrow circumference of their shadows, lying close at their
feet, were mingled indistinguishably together. Cornelia, in the energy
of her appeal, had stopped walking, and the two stood, for a moment,
looking at one another. Seen from a few yards' distance, they would have
made a supremely beautiful and romantic picture.
The stately poise of Bressant's gigantic figure--the slight inclination
of his head and shoulders toward Cornelia--presented an ideal model for
a tender and protecting lover. She, in form and bearing, the incarnation
of earthly grace and symmetry, her lovely upturned face revealed in
deep, soft shadows and sweet, melting lights, her rounded fingers
interlaced across his arm, her bosom lifting and letting fall
irregularly the cloak that lay across it--what completer embodiment
could there be of happy, self-surrendering, trusting, young womanhood?
And what were the fitly-spoken words--the apples of gold in this picture
of silver?
"Cornelia," said Bressant, throwing aside the levity, as well as the
underlying passion, of his tone, and speaking with a slightly impatient
coldness, "don't you begin to be a fool as soon as I leave it off.


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