It was singular, with how few and how simple means was created the
impression of purity and repose that this chamber produced! It brought
to mind the pearly interior of a shell, and a fanciful person might have
listened for the sea-music whispering through. The walls were papered
with pale gray, relieved by a light pink tracery, and the white-muslin
curtains were set off by a pink lining. A bunch of wild-flowers and
grasses, which Cornelia had gathered that morning, and Sophie had
arranged, stood on the mantel-piece. There were four or five
pictures--one, a bass-relief of Endymion, deep asleep, yet conscious in
his dream that the moon is peeping shyly over his polished shoulder, had
been copied from a famous original by Sophie herself. She had painted it
in a pale-brown mezzotint, which was like nothing in nature, but seemed
suitable of all others for the embodiment of the classic fable. This
picture hung over the mantel-piece. Opposite Sophie's bed was an
illumination of the Lord's Prayer, with clear gold lettering, and
capitals and border of celestial colors. The dressing-table was covered
with a white cloth, on which reposed a comb and brush and a pink
pin-cushion with a muslin cover, and over which hung a crayon of the
cherub of the Sistine Madonna, who leans his chin upon his hand.
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