Restored by
Morelli to Giorgione, and universally accepted as such. Mentioned by the
Anonimo and Ridolfi, and said to have been completed by Titian. (See p.
35.)
THE HOROSCOPE. Canvas, 4 ft. 5 in. x 6 ft. 2 in.
Copy after a lost original. C. and C. suggest Girolamo Pennacchi as
possible author. It bears the Este arms.
_From the Manfrini and Barker Collections._
(See _Gazette des Beaux Arts_, 1884, tom. xxx. p. 223.)
JUDGMENT OF PARIS. Canvas, 1 ft. 9 in. x 2 ft. 3 in.
One of several copies of a lost original. [See under British
Isles--Heron Court.]
ITALY
BERGAMO, GALLERY.
ORPHEUS AND EURYDICE. Wood, 1 ft. 3 in, x 1 ft. 9 in. [No. 179, Lochis
section.]
(See p. 89.)
MADONNA AND CHILD. Wood, 1 ft. 3 in. x 1 ft. 6 in. [No. 232, Lochis
section, as "Titian."]
The composition is very similar to Mr. Benson's "Madonna and Child"
(_q.v._). (See p. 101.)
THE ADULTERESS BEFORE CHRIST. 4 ft. 11 in. x 7 ft. 3 in. [No. 26,
Carrara section.]
Later copy, with slight variations, of the Glasgow picture, Ascribed to
Cariani, and in a dirty state. (See p. 104.)
CASTELFRANCO, DUOMO.
MADONNA AND CHILD ENTHRONED, SS. LIBERALE AND FRANCIS BELOW. Wood, 7 ft.
6 in. x 4 ft. 10 in.
(See p. 7.)
FLORENCE, PITTI GALLERY.
THE CONCERT. Canvas, 3 ft. 10 in. x 7 ft. 4 in. [No. 185.]
Described by Ridolfi and Boschini.
An old copy is at Hyde Park House, another in the Palazzo Doria, Rome.
Pages:
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186