Admirably
preserved, and most likely a genuine work.
TEMPLE NEWSAM, COLLECTION OF THE HON. MRS MEYNELL-INGRAM.
PORTRAIT OF A MAN.
Traditionally ascribed to Titian. Just under life-size; he holds a black
hat. Blue-black silk dress with sleeve of pinky red and golden brown
gloves. Dark auburn hair. Dark grey marble wall behind. In excellent
preservation. (See p. 86.)
COLLECTION OF SIR CHARLES TURNER.
THE ADULTERESS BEFORE CHRIST.
A free Venetian repetition, perhaps based on an alternative design for
the Glasgow picture. (See p. 104.)
FRANCE.
LOUVRE.
FETE CHAMPETRE, or PASTORAL SYMPHONY. Canvas, 3 ft. 8 in. x 4 ft. 9 in.
_Said to have been in Charles I. Collection, and sold to Louis XIV. by
Jabuch._ (See p. 39.)
HOLY FAMILY AND SAINTS CATHERINE AND SEBASTIAN, WITH DONOR. Wood, 3 ft.
4 in. x 4 ft. 6 in.
Perhaps left incomplete by Giorgione at his death, and finished by
Sebastiano del Piombo. (See p. 105.)
_From Charles I. Collection._
GERMANY.
BERLIN GALLERY.
PORTRAIT OF A YOUNG MAN.
_Acquired from Dr. Richten_ (See p. 30.)
BERLIN, COLLECTION OF HERR VON KAUFFMANN.
STA. GIUSTINA.
A small seated figure with the unicorn. Recently acquired at Cologne,
and known to the writer only by photograph and description, but
tentatively accepted as genuine.
DRESDEN GALLERY.
VENUS. Canvas, 3 ft. 7 in. x 5 ft. 10 in. [No. 185.]
Formerly catalogued as a copy by Sassoferrato after Titian.
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