x 17 in.
New Gallery, 1895. [No. 148.] (See p. 96.)
MADONNA AND CHILD. Wood, 1 ft. 6 in. x 1 ft. 10 in.
New Gallery, 1895. [No. 1, under Titian's name.] (See p. 101.)
_From the Burghley House Collection._
PORTRAIT OF A MAN. Canvas, 38 in. x 32 in.
Copy of a lost original. Three-quarter length; life-size; standing
towards right; head facing; hands resting on a column, glove in left;
black dress, cut square at throat.
New Gallery, 1895. [No. 52, as "Unknown."] (See p. 74.)
COBHAM HALL, THE EARL OF DARNLEY'S COLLECTION.
PORTRAIT OF A MAN. Canvas, 2 ft. 1 in. x 2 ft. 9 in.
Erroneously called Ariosto, and ascribed to Titian.
I have sought to identify this with the "Portrait of a Gentleman" of the
Barberigo family, said by Vasari to have been painted by Titian at the
age of eighteen. (See p. 69.)
HERON COURT, THE EARL OF MALMESBURY.
THE JUDGMENT OF PARIS. Canvas, 22 in. x 28 in.
Copy of an unidentified original, of which other versions are to be
found at Dresden, Venice (Pal. Albuzio), and Christiania. This one is
probably a Bolognese repetition of the seventeenth century.
Ridolfi mentions this subject in his list of Giorgione's works.
New Gallery, 1895. [No. 29.]
HERTFORD HOUSE, WALLACE COLLECTION.
VENUS DISARMING CUPID. 3 ft. 7 in. x 3 ft. [No. 19.]
The picture was engraved as a Giorgione when in the Orleans Gallery.
(See p. 93.)
KENT HOUSE, THE LATE LOUISA LADY ASHBURTON.
Pages:
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183