Salomon Reinach for making this point
(_Chronique des Arts_, Feb. 15, 1902, p. 53, where he expresses himself
a convert to my views).
CATALOGUE OF THE WORKS OF GIORGIONE
ARRANGED ACCORDING TO THE GALLERIES IN WHICH THEY ARE CONTAINED
AUSTRIA-HUNGARY
BUDA-PESTH GALLERY.
PORTRAIT OF A YOUNG MAN. [No. 94.]
_Esterhazy Collection_. (See p. 31.)
TWO FIGURES STANDING. [No. 95.]
Copy of a portion of Giorgione's lost picture of the "Birth of Paris."
These are the two shepherds. (See p. 46.)
The whole composition was engraved by Th. von Kessel for the _Theatrum
pictorium_ under Giorgione's name. The original picture was seen and
described by the Anonimo in 1525.
VIENNA GALLERY.
EVANDER AND HIS SON PALLAS SHOWING TO AENEAS THE FUTURE SITE OF ROME.
Canvas, 4 ft. x 4 ft. 8 in. [No. 16.]
Seen by the Anonimo in 1525, in Venice, and said by him to have been
finished by Sebastiano del Piombo. (See p. 12.)
_Collection of the Archduke Leopold William, and registered in the
inventory of_ 1659.
ADORATION OF THE SHEPHERDS, or NATIVITY. Wood, 3 ft. x 3 ft. 10 in. [No.
23.]
Inferior replica by Giorgione of the Beaumont picture in London.
I have sought to identify this piece with the picture "da una Nocte,"
painted by Giorgione for Taddeo Contarini. (See p. 24 and Appendix,
where the original document is quoted.)
_From the Collection of the Archduke Leopold William, and registered in
the inventory of 1659 as a Giorgione.
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