[36] ii. 218
[37] It has been suggested to me by Dr. Williamson that the letters may
possibly be intended for ZZ (=Zorzon). In old MSS. the capital Z is
sometimes made thus _[closed V]_ or _V._
[38] i. 248.
[39] The methods by which he arrived at his conclusion are strangely at
variance with those he so strenuously advocates, and to which the name
of Morellian has come to be attached.
[40] Reproduced in _Venetian Art at the New Gallery_, under Giorgione's
name, but unanimously recognised as a work of Licinio.
[41] i. 249.
[42] Dr. Bode and Signor Venturi both recognise it as Giorgione's work.
[43] To what depths of vulgarity the Venetian School could sink in later
times, Palma Giovane's "Venus" at Cassel testifies.
[44] _Repertorium fuer Kunstwissenschaft_. 1896. xix. Band. 6 Heft.
[45] _North American Review_, October 1899.
[46] It was photographed by Braun with this attribution.
[47] Catena has adopted this Giorgionesque conception in his "Judith" in
the Querini-Stampalia Gallery in Venice.
[48] See _Gazette des Beaux Arts_, 1897, tom, xviii. p. 279.
[49] See _Gazette des Beaux Arts_, 1893, tom. ix. p. 135 (Prof.
Wickhoff); 1894, tom. xii. p. 332 (Dr. Gronau); and _Repertorium fuer
Kunstwissenschaft_, tom. xiv. p. 316 (Herr von Seidlitz).
[50] Crowe and Cavalcaselle, ii. 147.
[51] ii. 217.
[52] Dr. Gronau points this out in _Rep_. xviii. 4, p. 284.
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