Finally he saw an old woman, looking like a marquise of the
old school, who held the lamp and was advising the young girl.
"Monsieur," said the younger woman in reply to one of the
questions put by the painter during the few minutes when he was
still under the influence of the vagueness that the shock had
produced in his ideas, "my mother and I heard the noise of your
fall on the floor, and we fancied we heard a groan. The silence
following on the crash alarmed us, and we hurried up. Finding the
key in the latch, we happily took the liberty of entering, and we
found you lying motionless on the ground. My mother went to fetch
what was needed to bathe your head and revive you. You have cut
your forehead--there. Do you feel it?"
"Yes, I do now," he replied.
"Oh, it will be nothing," said the old mother. "Happily your head
rested against this lay-figure."
"I feel infinitely better," replied the painter. "I need nothing
further but a hackney cab to take me home. The porter's wife will
go for one."
He tried to repeat his thanks to the two strangers; but at each
sentence the elder lady interrupted him, saying, "Tomorrow,
monsieur, pray be careful to put on leeches, or to be bled, and
drink a few cups of something healing. A fall may be dangerous."
The young girl stole a look at the painter and at the pictures in
the studio. Her expression and her glances revealed perfect
propriety; her curiosity seemed rather absence of mind, and her
eyes seemed to speak the interest which women feel, with the most
engaging spontaneity, in everything which causes us suffering.
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